I spent my national holiday working and watching foursquare airport/vacation check-ins scroll by.
I did have a wonderful China moment, thanks to an old Shanghainese man in a Lynyrd Skynyrd Confederate Flag hat.

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I'm Mark and this is my website.
I spent my national holiday working and watching foursquare airport/vacation check-ins scroll by.
I did have a wonderful China moment, thanks to an old Shanghainese man in a Lynyrd Skynyrd Confederate Flag hat.

(more…)
A sandstorm which hit Shanghai on the first two days of May has significantly increased the level of respirable particles in the city and made Shanghai one of the most polluted city in the country, with Shanghai’s air pollution index 87 points higher than that of the runner-up on May 2.Shanghai seemed to be covered with a grey lid on May 2. The air was full of dust, leading to poor visibility. The buildings in the city proper looked vague in the dust, and the cars parked outside were covered with a thick layer of dust.
The Shanghai Environmental Monitoring Center (SEMC) said that as the sea wind blew the dust back to Shanghai, the city’s respirable particulate matter index rose to 500 at 4 a.m. on May 2, and the air pollution in the city reached “severe” levels. According to a diagram drawn by the SEMC, Shanghai has been in “severe” air pollution levels for the past two days.
Oh the irony: Shanghai Government evicts artists in order to create “creative zone”
Performance art at 696 weihai lu
Thanks to Danwei, I discovered that the artists in this ‘colony’ are not allowed to renew their leases. so the Shanghai government & developers can build a creative park. English language Arts blog Shanghai Eye has a run-down of the media coverage and opinion pieces the artists have gotten published in the media.
This is, I suppose, an inevitable southward expansion of the gentrified Nanjing West Road, though the area is generally pretty ritzy, save for this ‘colony’ and a few pockets of old rowhouses. The Four Seasons is 2 blocks from here, and 2012 will bring a line 12 station at Weihai/Nanjing west road (on land recently “reclaimed” from a neighborhood of rowhouses), just steps from this ‘colony’. I have no doubt that this new development will, as Ma Liang notes, attempt to be Jing’An district’s tianzifang.
Cities change and growth happens, and is generally preferable to the alternatives. As Ma Liang notes, he won’t be a Nail House nor is this expected to be a dramatic eviction (unlike contentious evictions around China). It is, however, a poignant juxtaposition that elucidates the Shanghai Government’s attitude toward art and creativity vs what I suppose we need to call commercial and consumer focused creativity and art.